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A Letter Home - Heartfelt Handwritten Letters & Greeting Cards for Family & Friends | Perfect for Holidays, Birthdays & Special Occasions
A Letter Home - Heartfelt Handwritten Letters & Greeting Cards for Family & Friends | Perfect for Holidays, Birthdays & Special Occasions
A Letter Home - Heartfelt Handwritten Letters & Greeting Cards for Family & Friends | Perfect for Holidays, Birthdays & Special Occasions

A Letter Home - Heartfelt Handwritten Letters & Greeting Cards for Family & Friends | Perfect for Holidays, Birthdays & Special Occasions

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Description

Neil Young recorded a collection of covers with Jack White on a refurbished 1947 Voice-O-Graph recording booth at Third Man's Nashville headquarters. Imagine a very simple recording studio not much larger than a phone booth and you ll get the idea. He describes the album as "an unheard collection of rediscovered songs from the past recorded on ancient electro-mechanical technology captures and unleashes the essence of something that could have been gone forever." Recorded live to track to one-track, mono, the album has an inherent warm, primitive feel of a vintage Folkways recording.As for the track-listing, Young chose songs that have personal meaning for him, such as British folk artist Bert Jansch s Needle of Death (which inspired Young to write 1972 s Needle and the Damage Done ), Bob Dylan s Girl from the North Country, Willie Nelson s Crazy, Don Everly s I Wonder If I Care as Much, Bruce Springsteen s My Home Town, and many others. Additional info for the box set: Standard audio LP pressed on 180-gram black vinyl Audiophile LP pressed on 180-gram black vinyl Standard audio CD DVD with footage from the recording 12" x 12", 32-page full color booklet Download card for the hi-res Audiophile version of the album Seven 6 vinyl 33 RPM discs pressed on clear vinyl. The 7th disc of this set features a version of Dylan s"Blowin' In The Wind" backed with an alternate take / arrangement of "Crazy"

Reviews

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- Verified Buyer
Neil Young is at his best when he has the least protection. Like Bob Dylan and most of the real folk/country crowd, the more stuff they try to use, the less authentic they sound. Neil Young also is a bit like Paul McCartney, in that virtually every musical thought that comes into his head eventually gets released to the public. So, there is a lot of Neil Young out there, and for every brilliant moment, there are four not-so-brilliant moments. But when he gets it right, he is nearly perfect.This is an album on which Neil gets it right. He song selection is very strong, and his performances are great simplified Neil Young performances. What sets this album apart, however, is the concept, to which the poor sound of the recording (really a retro-retro sound) is essential. To call this nostalgic is to miss the point, I think. What he has done is realize that the sound of the old recordings he emulates here was an integral part of their charm. Anyone old enough to have grown-up in the REAL vinyl era, who has replaced all their favorite records over the years with various other more sonically perfect formats knows that the scratches and nicks on those old records sometimes became an integral part of the listening experience - so much so that it sometimes seems as if something is wrong with a recording which does not reproduce the pops and clicks.I think Neil Young figured that point out, and has taken it a step further, trying to reproduce the distant sound of an old Jimmy Rogers or Carter Family record. I also think the idea works, in that the sound makes the entire album sound like a ghost singing in the distance, which has a unique effect. That effect is punctuated by the answering machine messages to his deceased mother. "Don't forget to talk to Daddy..."On the whole this approach works for me, and if you like Neil Young in his no protection mode with nothing but an acoustic guitar, I think it will work for you too.